Mannywellz recalls the first time music brought tears to his eyes. As a teenager, he listened to Așa’s “Eyé àdabá” and was deeply moved. The song reached him in an unprecedented way. “I remember just lying down, listening to it as a teenager, and just getting emotional,” he shared with Newsweek. “That was the first time music made me feel something.” For Emmanuel Ajomale, the Nigerian-American singer-songwriter and producer, feeling is both the mission and the structure of his creations.
Born in Nigeria and raised in Maryland, Mannywellz blends his Yoruba roots with the diverse cultural tapestry of the DMV area. His music draws from Afrobeats, R&B, soul, and spirituality. He constructs his songs like he speaks, with interconnected ideas that reflect a fusion of cultures. His work often weaves personal identity with broader statements about belonging.
A Sound Shaped by Movement
Mannywellz was born into a Yoruba family in Nigeria and later moved to Maryland. He describes the journey between the two as more of an enriching experience than a division. “I spent a good portion of my life in Nigeria,” he stated, “and then I also spent a good portion of my life in the DMV, Maryland, to be specific.” This area offered a mix of African cultures, a Nigerian community, and American R&B influences, all of which he absorbed into his music without diluting any part of it.
His discography, including albums like Mirage, SoulFro, and Small Chops, shows an artist focused on emotional connection rather than genre restrictions. Mannywellz cites King Sunny Ade, Lauryn Hill, Frank Ocean, and others as core influences. These artists inspired his creative confidence and desire to stand out in his field.
The Discipline of an Appetizer
The Small Chops EP carries the concept of a Nigerian appetizer, offering a short and precise musical experience. At under 15 minutes, the project includes collaborations with Lekan and D.C. native Wale. Mannywellz oversaw the writing and production. He emphasized the importance of creating an appetizer that was both brief and satisfying. “Every time I make a record, it’s about making something great, something that makes people feel,” he stated. No feature could disrupt the project’s cohesive vision.
Faith in the Studio
His creative process balances spirituality with technicality. Inspiration can emerge from prayer or from consistent practice. “Sometimes, like I’m creating out of divine inspiration,” he explained, “and then sometimes you’re exercising your creative muscles.” His songs transition smoothly between different themes, such as sensuality and devotion, reflecting his deep faith. “God is my everything,” he stated. He openly channels this belief into his music.
Mannywellz maintains that faith also informs his growth as an artist. He engages with music daily, composing and practicing instruments to enhance his skills. “I’m already better than Small Chops today,” he remarked, emphasizing his commitment to continual improvement.
Speaking from the Shadows
As someone deeply connected to the immigrant experience, Mannywellz speaks thoughtfully about immigration – a subject he views with reverence. “Immigration is a very important topic and issue to me,” he expressed. He frequently encounters undocumented individuals and feels compelled to advocate for them. “I personally hate hiding and feeling like I have to live in the shadow,” he said, committed to speaking out.
For Mannywellz, activism involves both verbal advocacy and tangible support for causes. He cited Jesus as a model advocate for the marginalized, aiming to emulate that spirit.
The Meal Ahead
Small Chops, though compact, signals a broader narrative. Mannywellz revealed that his next project is underway, with its most personal stories yet untold. “I haven’t even touched 10% of what I could talk about in my records,” he said. His goal remains clear: to evoke emotion in listeners. With Small Chops as the appetizer, the main course is anticipated, and Mannywellz continues refining his artistry.