The director Lonny Price has transformed “Dirty Dancing: The Musical” into a delightful stage production. Historically, this title has struggled with theatrical quality, often relying on its connection to the beloved 1987 film starring Jennifer Grey and Patrick Swayze. The musical’s origins in Australia and the U.K. have led to previous versions in the U.S. that left much to be desired. These past productions were marred by lackluster video and performances that seemed more like a cash grab than a homage to the film’s legacy.

The current touring version, which premiered at the Nederlander Theatre in Chicago, presents a refreshing change. This production differs significantly from its predecessors. It offers an enhanced experience, potentially making it a suitable candidate for a Broadway run similar to “Mamma Mia!” with its summer slot success. Choreographer Darrell Grand Moultrie, known for his work with Beyoncé, significantly elevates the dance aspect while remaining true to the era and importance of social dancing that contributes to the film’s appeal.

The music in this version has been thoughtfully selected, bringing classics like “Fly Me to the Moon” to the forefront. Moultrie skillfully acknowledges that Kellerman’s guests would have been adept dancers, and the youthful, animated staff would exude energy and desire. Price’s casting choices further invigorate the show. The new company features talented performers whose dancing is a focal point. They approach the material with genuine dedication.

Key roles remain music-free for leads like Baby and Johnny. Instead, supporting characters provide the show’s vocal performances, delivering songs like “The Time of My Life” and “Hungry Eyes.” This separation allows the leads to prioritize movement. Blake Zelesnikar excels as Johnny with his background in “American in Paris.” Olivia Cece, known for “Moulin Rouge” on Broadway, shines as Penny. Annalese Starzec, as Baby, brings charm and humor, fitting the role perfectly with her striking resemblance to Grey.

The show remains tied to Eleanor Bergstein’s original script from the movie. Ideally, the script could benefit from updates to enhance its theatrical potential. However, the compelling design by Brett J. Banakis captures the Catskills’ beauty and lifts the production’s aesthetic appeal. The improved acting further elevates the script’s dignity.

Noteworthy performances include Bryan Fenkart, who brings depth to the role of Jake Houseman, originally played by Jerry Orbach. Fenkart’s subtle homage to Orbach is genuinely moving. Additional strong vocal performances by Ashley LaLonde and Erick Pinnick contribute to an impressively well-rounded cast.

Though it remains unmistakably “Dirty Dancing” from film to stage, the production captures the story’s timeless allure. For those who love the story, this stage adaptation is a must-see.

Chris Jones is a critic for the Tribune at [email protected]

Review: “Dirty Dancing” (3 stars)

When: Through Sept. 20

Where: Nederlander Theatre, 24 W. Randolph St.

Running time: 2 hours 25 minutes

Tickets: $40-$155 at 312-977-1700 and broadwayinchicago.com