The 83rd Venice Film Festival is set to conclude on Saturday with the presentation of jury awards, including the Golden Lion for best film. There is speculation on which films might win, with Maggie Gyllenhaal leading the jury in deciding the big prizes for film, direction, and acting.
Among the contenders, certain films have gained attention based on audience reactions. A late festival addition, “NAZA,” provides an inside look at the war in Gaza through the perspectives of Israeli military insiders, claiming systemic concerns over civilian casualties. This documentary received a remarkable 25-minute standing ovation, setting a new record.
The previous record was a 24-minute ovation for “The Voice of Hind Rajab”.
“The Voice of Hind Rajab,” directed by Kaouther Ben Hania, secured only the Silver Lion despite its impactful narrative. Ben Hania is also a member of this year’s jury, which includes English composer Daniel Blumberg, French filmmaker Xavier Giannoli, Afghan filmmaker Shahrbanoo Sadat, and Hong Kong filmmaker Johnnie To.
Among the vying films, “NAZA” stands out as the only documentary competing, with Rachel Szor and Yuval Abraham at the helm. Other films that captivated audiences include “Wild Horse Nine” and “Bunker.”
Martin McDonagh’s “Wild Horse Nine” delivered a dark comedy centered on CIA agents in Easter Island during Chile’s 1973 military coup. John Malkovich and Sam Rockwell’s performances were well-received. McDonagh’s previous works premiered to acclaim at Venice, and the pattern suggests potential Oscar considerations.
“Bunker,” a psychological thriller starring Javier Bardem and Penélope Cruz, captured attention with a 14-minute ovation. Although it received mixed reviews, the star presence likely influenced audience reception.
The festival also showcased the crime thriller “Primetime,” with Robert Pattinson as Chris Hansen, and Herzog’s “Bucking Fastard” featuring Rooney and Kate Mara. International films included May El Toukhy’s “Woman Unknown” and Hirokazu Koreeda’s “Look Back.” Lee Chang-dong’s “Possible Love,” his first film post-“Burning,” depicted class and labor issues in Korea, becoming an instant critic favorite.
The festival jury remains unpredictable, with potential for unexpected outcomes similar to past surprises, such as “Joker’s” win.