The classical music scene is bustling in September, marking the start of new seasons for symphony orchestras. Two of the most acclaimed, the San Francisco Symphony and the Los Angeles Philharmonic, are not only launching their 2026 seasons but also looking ahead to significant leadership changes. Elim Chan is set to become the music director of the San Francisco Symphony in 2027, while Daniel Harding will take on the role at the Los Angeles Philharmonic.

With their appointments announced this spring, classical music enthusiasts are eager to see the fresh directions these conductors might lead their orchestras. Conversations with Chan and Harding uncovers intriguing insights into the decisions that surprised many observers.

Elim Chan: A Fresh Perspective

Elim Chan, at 39, brings vitality and humor to her role. Having discovered her passion for conducting at Smith College, she became the first woman to win the Donatella Flick Conducting Competition. Her tenure with the San Francisco Symphony began with guest appearances that thrilled audiences.

Joshua Kosman, retired classical music critic, stated, “Every guest appearance Chan made was exciting beyond measure.”

Chan’s approach marks a departure from traditional practices. San Francisco has typically opted for experienced, senior conductors. Her appointment as the first female leader in the orchestra’s 115-year history signifies a bold shift, breaking the norm of European male maestros.

During her guest-conducting sessions with the San Francisco Symphony, Chan sensed a mutual chemistry. “It’s like going on a date,” she quipped, noting the orchestra’s heartfelt sound captivated her.

Recognizing challenges in drawing audiences to concert halls, Chan aims to offer performances filled with energy, encouraging audiences to experience live concerts as unique events that can’t be replicated at home.

Daniel Harding: A Seasoned Talent

In contrast, the 51-year-old Daniel Harding may seem like a “safe” choice for the Los Angeles Philharmonic. Despite fewer followers on social media, he is praised for focusing solely on music and is known for his profound talent that emerged during his teenage years.

Harding’s association with prominent figures in music, like Simon Rattle and Claudio Abbado, has shaped his impressive career. Working at the Berlin Philharmonic and having a long-standing relationship with the LA Philharmonic, he brings experience and energy.

His remarks on Los Angeles reveal an appreciation for the city’s vibrant, fertile ground for creativity. Harding’s last performance at the Hollywood Bowl was acclaimed for its musical generosity.

Despite his European roots, Harding’s appointment surprised many. “He’s not exactly a household name but has a notable track record,” Kosman noted.

Harding’s unique hobby of flying commercial jetliners adds another dimension to his persona. He’s keen on flying Chan around, yet firmly avoids boxing challenges against her.

A New Era for U.S. Orchestras

Both conductors challenge traditional models, stepping away from the “old European man with a mustache and an attitude.” Their diverse and personal approaches promise to shape the orchestras’ identities and music.

Elim Chan and Daniel Harding represent new directions in conducting, aiming to redefine symphonic music in America. Their leadership could bring distinctiveness to their orchestras’ sounds, standing out in an era where many orchestras struggle to distinguish themselves.