Mary Beard, an expert on ancient Rome, reflects on the enduring influence of Roman power structures on contemporary politics in a discussion with John Guida, an editor at Times Opinion. The conversation explores the comparison between President Trump’s ambition for presidential power and the traditions of imperial Rome.

Imperial Ambitions and Structures

The concept of an ‘imperial presidency’ refers to the expanding power of the office, a trend observed across different administrations. President Trump’s tenure has amplified these aspirations, leading to comparisons with another power structure: ancient Rome. Mary Beard, with her deep knowledge of Roman history, contemplates these echoes through a dialogue with John Guida. Their conversation sheds light on how ancient Rome’s political dynamics still resonate.

Reflections of Ancient Rome in Washington

Guida opens the discussion by suggesting that a look at ancient Rome might help decode current political power structures. He imagines scenarios in Washington akin to those from Roman times, like plans for a triumphal arch or gladiatorial events. This, he proposes, might give insight into today’s political climate.

Beard responds with an acknowledgment of the Roman influence seen in such modern instances. For example, triumphal arches historically have associations with celebrated victories in Rome, with famous examples like the Arch of Constantine, still enduring. These structures influenced architectural traditions long after Rome, across Europe.

Beard notes that, unlike President Trump’s ambitions, original Roman arches exhibited greater extravagance with their original glittering finishes and magnificent details. This comparison extends to past proposals for arches in Washington, such as the unbuilt arch of the 1980s intended for the Navy Memorial and the temporary ones marking World Events.

Modern Spectacles Reflecting the Past

Further linking modern practices to ancient Rome, Beard discusses the idea of organized events reminiscent of Roman spectacles. Guida mentions an event at the White House, highlighting how such public spectacles can echo the dynamics of power and public celebrations seen in Rome.